With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.

The Documentary takes an unconventional journey through the life of one of America's most original comedic voices. Eddie Pepitone, "The Bitter Buddha", is looked at in this portrait of creativity, enlightenment and rage.

A Young warrior is faced with knowing what is most important, the Golden Buddha itself or the teaching it stands for.

New York City teenager Jo (Ana Villafañe) witnesses the gruesome murder of both her parents and is sent to rural Montana as part of the Witness Protection Program. On top of having no cell phone, email or any contact with her past life, plus hiding from a dangerous hitman out to finish her off, Jo must also deal with the drama of being the new kid in the small town's high school (www.tribute.ca).

In order to survive, Lincoln Swift must take his family into witness protection and give evidence against his former employer, vicious crime boss Nils Vandenberg. With new names and fresh identities, the Swifts are ripped from their Gold Coast home and dumped in Western Sydney. But dislocation puts immense pressure on everyone in the family.

From Lockermaison 　　I recorded this movie off PBS one day when I was in college. Didn't know what I was recording, I just habitually recorded things off of PBS at the time. As an Asian American myself, I found this to be an excellent overview of the experiences and feelings that we encounter from the more ignorant and racist side of America. However, we were born here, this is the only country we know, and we love it the same as any other immigrant's children - white, black, brown, or whatever. This movie deals with that situation, where we live and love our country but have to deal with the idea that many Americans have that anyone who is Asian must be "foreign" or "unamerican". It talks about the history of our struggles for civil rights over the past century and how we were right there alongside the African Americans in the 60s fighting with them. Also discussed are many disservices done by America to Asian-Americans and how they are still today treated in surprisingly racist ways. It also explores how some Asians fit into stereotypes and how many definitely don't. It also deals with the concepts of interracial relationship between blacks, white, Asian, and Hispanics. The filmmaker talks to many different types of Asian Americans from different areas of the country and gives you a very interesting cross section of the surprising makeup of people that is Asian American. There are so many kinds of people you never knew existed. 　　I watched this several times and I always enjoyed it. There were some excellent shots. I also liked a few of the transitions and the editing in general I thought was clever. The interviews are very intriguing. 　　A few problems I had were I didn't like the narrator's voice and delivery. Obviously she's a normal person doing her own movie's narration and it sounds amateurish, but it is tolerable nevertheless. The film quality suddenly changes near the end because she used video instead of film in one section. Some people aren't explored as much as I would have liked. I think the movie could have been stronger somehow, but I'm not sure. It's a quiet movie and a lot of the issues brought up might still be confusing to non-Asians watching it, and might end up boring to some. Although like I said, I thought it was all really cool. 　　If you are interested in Asian American issues, the film still holds true today and you should like it a lot.

From Lockermaison 　　I recorded this movie off PBS one day when I was in college. Didn't know what I was recording, I just habitually recorded things off of PBS at the time. As an Asian American myself, I found this to be an excellent overview of the experiences and feelings that we encounter from the more ignorant and racist side of America. However, we were born here, this is the only country we know, and we love it the same as any other immigrant's children - white, black, brown, or whatever. This movie deals with that situation, where we live and love our country but have to deal with the idea that many Americans have that anyone who is Asian must be "foreign" or "unamerican". It talks about the history of our struggles for civil rights over the past century and how we were right there alongside the African Americans in the 60s fighting with them. Also discussed are many disservices done by America to Asian-Americans and how they are still today treated in surprisingly racist ways. It also explores how some Asians fit into stereotypes and how many definitely don't. It also deals with the concepts of interracial relationship between blacks, white, Asian, and Hispanics. The filmmaker talks to many different types of Asian Americans from different areas of the country and gives you a very interesting cross section of the surprising makeup of people that is Asian American. There are so many kinds of people you never knew existed. 　　I watched this several times and I always enjoyed it. There were some excellent shots. I also liked a few of the transitions and the editing in general I thought was clever. The interviews are very intriguing. 　　A few problems I had were I didn't like the narrator's voice and delivery. Obviously she's a normal person doing her own movie's narration and it sounds amateurish, but it is tolerable nevertheless. The film quality suddenly changes near the end because she used video instead of film in one section. Some people aren't explored as much as I would have liked. I think the movie could have been stronger somehow, but I'm not sure. It's a quiet movie and a lot of the issues brought up might still be confusing to non-Asians watching it, and might end up boring to some. Although like I said, I thought it was all really cool. 　　If you are interested in Asian American issues, the film still holds true today and you should like it a lot.

The journey of how Prince Siddharth Gautama became Buddha, The Enlightened One. The movie features spectacular animation technology to narrate the story of Buddha right from his childhood till the day he attains Nirvana. The story reflects qualities of truth, morals and sacrifice for the younger generation.

Karim is 17 years old and lives in a South London suburb with his English mother and Pakistani father, who has become a kind of spiritual guru to his middle-class neighbours. Karim wants to explore his cultural roots, in the hope that he will achieve sexual and racial self-realisation.